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| Image courtesy of Idea go at freedigitalphotos.net
Is it just me whose imagination goes walkabout at the most inconvenient times? Like the Ascension Day service, for instance, as we were busy All Hail (ing) the Power of Jesus' Name, Let Angels prostrate fall...I'd visions of said angelic beings toppling over like a line of dominos. It could have been worse, I suppose.
Does anybody else suffer from an over-active imagination?
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Showing posts with label hymns. Show all posts
Showing posts with label hymns. Show all posts
Sunday, 17 May 2015
Hazards of an over-fertile Imagination
Sunday, 30 September 2012
Lost In A Labyrinth?
Sunday, 10 June 2012
To be a pilgrim: All Who would valiant be - Hobgoblin-free zone
Feeble apology for a hobgoblin - Christmas 2010
Great full-colour cartoon by Dave Walker in this week's Church Times supplement on Back to Church Sunday: What to expect incorporating some suggestions from hisreaders adoring fans, including Yours Truly. Thanks Dave, for including mine on inclusive language in familiar hymns. If you're not expecting it (inclusive language, not Dave W), as was I this morning, it can cause not a little dissonance twixt eye, voice and brain, resulting in a strangled squawk not unlike that of poor John Bunyan's hobgoblin. I already knew that he'd been banished, along with the foul fiend; earlier than I'd thought -according to this info on the hymn based on a poem from Bunyan's Pilgrim's Progress, the modifications made by Percy Dearmer were made way back in 1906. Well, I certainly don't date back that far, yet I distinctly remember singing the original Who Would True Valour See throughout my schooldays. Maybe we used in in solidarity with the local boys' grammar school - according to one source, they had Bunyan's version as a school song. Ours was, and as far as I know still is One Church, One Faith, One Lord, (in itself a topic for a blog post), but I digress.
Going back to church today - whatever version we were singing, it read even more inclusive and san (nearly said 'sin') itised than Perce's masterpiece! All Who Would Valiant Be...? Never mind. One good thing to be said for modernising, at least it forces you to really concentrate on what you're singing about; easy to let the tried and familiar blind you to the underlying meaning. And to be honest, when I think about the potential horrors in some of the more contemporary output, (Shipoffools.com's Crappy Choruses and Horrible Hymns thread saw me through many a dark night), I'll forgive Newchurch any amount of inclusive language use.
It's just - if you've been brought up on robust Anglican hymnody and even more robust poetry: I remember learning Gerard Manley Hopkin's glorious Pied Beauty, his God's Grandeur, and Coleridge's Rime of the Ancient Mariner, at school between the ages of seven and ten (so there, Mr Gove!), anything less can seem like dreaming in sepia tones when you've been accustomed to all the colours of the rainbow.
Great full-colour cartoon by Dave Walker in this week's Church Times supplement on Back to Church Sunday: What to expect incorporating some suggestions from his
Going back to church today - whatever version we were singing, it read even more inclusive and san (nearly said 'sin') itised than Perce's masterpiece! All Who Would Valiant Be...? Never mind. One good thing to be said for modernising, at least it forces you to really concentrate on what you're singing about; easy to let the tried and familiar blind you to the underlying meaning. And to be honest, when I think about the potential horrors in some of the more contemporary output, (Shipoffools.com's Crappy Choruses and Horrible Hymns thread saw me through many a dark night), I'll forgive Newchurch any amount of inclusive language use.
It's just - if you've been brought up on robust Anglican hymnody and even more robust poetry: I remember learning Gerard Manley Hopkin's glorious Pied Beauty, his God's Grandeur, and Coleridge's Rime of the Ancient Mariner, at school between the ages of seven and ten (so there, Mr Gove!), anything less can seem like dreaming in sepia tones when you've been accustomed to all the colours of the rainbow.
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